Game of Thrones: How it can expand on animation | Digital Trends Spanish

It would be weird if it didn’t, since it’s HBO’s most storied TV series and proved to be a cultural phenomenon in the process. And with reports of many spin-offs in the works, the network should look at animation as another avenue worth exploring. According to those reports, there are at least a few of these projects already in development, and tapping into the new appreciation for animation could be something else worth doubling down on.

game of Thrones he managed to explore many locations throughout the world of Martin, from beyond the wall to the southern regions of Dorne in Westeros and a handful of locations in Essos. But as with most fantasy franchises, the world from a song of ice and fire it has oodles of lore and world building that paints a much bigger picture not seen in the HBO series.

With the massive prices that come with fantasy epics like game of Thrones, House of the Dragon and especially the next The Lord of the Rings: The Rings of Power by Prime Video, there’s a lot that the studios are probably willing to portray through live action and CGI. The animation for a Thronesspinoff could vibrantly – or grimly – bring to life adaptations of the various nooks and crannies of Martin’s dark fantasy universe.

One of the reported animated spin-offs further along in development is under the working title The Golden Empire, and would be set in Yi Ti. This country in Essos is inspired by imperial-era China as an analogue of the Westeros spin of medieval Britain.

That’s already a good start if the project gets off the ground, as most of the passing references to different places and people in Martin’s books and the show already have a lot of lore ripe for adaptation behind them. Bringing the unseen history of the world, namely Essos, to the screen would also be an excellent opportunity to explore a diverse new cast of characters.

Similarly, many other locations could be recreated in animation with impressive effects that might not be explored in live action, such as the rich lands of Old Valyria where the Targaryens ruled and the various other Houses of Dragonlord.

Leaning more towards the mystical and supernatural

Martin’s world of Song of ice and fire it’s thick with the supernatural and mystical, and while there were some tantalizing looks at that aspect of the universe in game of Thrones, certainly could have leaned towards more. Understandably, this isn’t like the most vibrant high fantasy world of The Lord of the Rings Tolkien, but even the midrange fantasy of thrones it felt like he was intentionally holding back as much as possible.

From a contextual standpoint, it made a certain amount of sense, since magic was recently creeping back into the world with Daenerys Targaryen’s birth of dragons. Similarly, whenever we saw something otherworldly, whether it was Dany’s dragons or the Red Priestesses’ dark occult magic, it was true that they had an air of wonder towards them.

Perhaps it was due to budget constraints for an already expensive show, creative decisions by showrunners David Benioff and DB Weiss, or a combination of the two, but the animation could and should allow the studio and writing team to get more imaginative. about the wonderful side of this dark fantasy world.

Daenerys' dragons Rhaegal and Drogon in Game of Thrones season 8.

The mysterious Shadowlands beyond Asshai is one such enticing prospect, as this region has been described in sinister tones and even claimed to be the birthplace of dragons. Out of it have come even more ghostly stories than just the iconic beasts, such as demons and an ancient ghost town that even practitioners of dark magic are terrified of.

Even the Free Cities of Essos that the public got a taste of through the adventures of Arya Stark training under the Faceless Men and their god could be a good template, as all nine cities have a deep history when it comes to mythological customs, magical and even hidden from their people.

It is understandable that political intrigue is a large part of what makes game of Thrones be just as compelling and establish much of the world building in its own right, but it’s time its spin-offs got more inventive with the fantasy aspect.

HBO Max Original TV Series and Movies

Promotional poster for The Witcher prequel movie with Vesemir riding his horse towards Kaer Morhen.

This might be an unlikely development considering the current uncertainty behind the merger, but the use of the platform HBO Max for animated originals it could encompass television and film. The new leadership in the CEO of Warner Bros. Discovery has hacked many originals, including TV shows and movies, and animated works have also been forced to cut.

However, the great power behind game of thrones as a series and brand it could make it a rare exception. While Netflix is ​​dealing with its own issues, it has also doubled down on animated video game adaptations and the like in both formats.

An example is The Witcher: Nightmare of the Wolf, which is an animated prequel film to the main television series centered on Geralt’s mentor, Vesemir. Backed by HBO’s money and the creative pedigree behind the brand, letting stories dictate whether a long-running series, limited series, or movie is in order could pave the way for exciting new directions for the GoT franchise. .

Whatever the details or lore it suits, investing in animation would be a great way to expand this world into a vastly immersive and diverse on-screen universe.

game of Thrones is available to watch now on both HBO and HBO Max, with House of the Dragon scheduled to premiere on August 21 on both platforms as well.

Game of Thrones: How it can expand on animation | Digital Trends Spanish