Should we watch “Michel Polnareff, the evening event” on France 2?

Michel Polnareff, at the piano, in duet with his hologram in a younger version of himself. Tiziano Da Silva – Cyril Moreau – Bestimage

CRITICAL – Thanks to his new comeback, the star is in the spotlight of a special program celebrating his songs and his extraordinary personality. Broadcast this Tuesday, December 6 at 9:10 p.m. on France 2.

Michel Polnareff is once again making the event at the end of 2022. The pianist and singer has sacrificed to the exercise of the solo album on the piano, and we can say that this is good news for his songs. , which we have heard abused too much by himself and overly demonstrative musicians. The release of the disc allowed him to return to France after seven long years of absence. La Deux rolled out the red carpet for him with this program lazily titled “The Evening Event”. With a triple mission: to narrate the extraordinary journey of this great original, to hear him sing and also to discover his hits covered by other performers.

Shirtless under his golden jacket

Grandiloquence and megalomania are of course at the heart of the device: Michel Polnareff made it the weapons of his career, marked by the blows of brilliance. But those would be nothing without the songs themselves. We measure it even better by noting the difficulty of hearing them interpreted by others. Marc Lavoine is simply off the mark in RadioPatrick Bruel rather dull on who killed grandmaNolwenn Leroy does too much onHolidays. Only the great Catherine Ringer gets away with the honors and her version of Love Me, Please Love Meskilfully adapted to Love Him, Please Love Him, in which she plays with the composer of the title, who listens to her, flabbergasted by her audacity. It is strange to see Michel Polnareff as a spectator of the brave people who dared to sing his titles in front of him. But the man, shirtless under his golden jacket, glasses screwed on his nose, does it with good grace.

Supernatural range

Of course, Polnareff, alone at the piano, sings some himself. Alone? Not quite. Thanks to technology, he can be heard dueting with a younger version of himself, on the iconic Letter to France and Goodbye Marylou. The overview is not limited to standards from the 1960s, 1970s and 1980s, but also to more recent titles. Thus Chimène Badi resumes don’t grow upa piece taken from Michel Polnareff’s latest album, At last!, released in 2018. Because it is women who are the fairest when they sing Polnareff. Perhaps because of the supernatural height of its range, more accessible to female singers. Years ago, Claire Diterzi proved it during a performance at the Francofolies in La Rochelle. All confirm it in this evening, where the men are struggling. Isn’t it Amir, whose version of The doll who says no sorely irrelevant? Bilal Hassani and his exacerbated femininity constitute a magnificent counter-example, with a beautiful reading of In the street.


What if you had to be as eccentric as Michel to live up to Polnareff? This show is proof of that. Michel Denisot’s voiceover, which places Polnareff’s repertoire in the context of his biography and the history of French society since 1966, seriously lacks tone. The Droopy side of the animator does not adapt well to the exercise, in which Antoine de Caunes would have been brilliant. The behind-the-scenes meetings between Polnareff and his various admirers are quite touching, especially with the young Apple, who is wearing a very short haircut for the occasion. Sincere in her admiration and almost candid in her approach, the young woman brings all her grace to We’ll all go to heaven a few moments later. Because Michel Polnareff can also be enjoyed without decorum or second degree.

SEE ALSO – “We were not allowed to meet Michel Polnareff behind the scenes”: Laury Thilleman reveals the protocol that the singer imposed on France Télévisions

Should we watch “Michel Polnareff, the evening event” on France 2?